Welcome to "Art & the Jesuits in Early Modern Rome"



The Eternal City, caput mundi....Rome has captivated and perplexed inhabitants and visitors alike for the last 3,000 years. With an eye to history, culture, art, and religion, students of Loyola University New Orleans' Italy Study Abroad program offer their take on the "live-and-learn" experience in one of the world's most fascinating cities.

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Final - Alaina Fontenot

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Rome is home to some of the world’s oldest and most influential works of art. This past month, in Art/Jesuits in Early Modern Rome, we covered an impressive amount of ground looking at work spanning from the 15th all the way to the 17th centuries. What’s maybe the most impressive, though, is the range of ceiling paintings that spanned these centuries. From the Allegory of Divine Providence by Pietro da Cartona in the Palazzo Barberini, to the Apotheosis of Saint Ignazio by Andrea Pozzo in the Chiesa di Stant’ Ignazio, to the Triumph of the Name of Jesus by Giovanni Battista Gaulli in the Gesù, each painting seemed more grandiose and mind-boggling than the next.  Each painting mentioned above is its own example of quadratura painting in the Baroque era. The Baroque movement in art came after the Renaissance and later Mannerism painting where there was an emphasis on going back to the Classical art and architecture of the Hellenistic period and Classical Rome. The art was very c...
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What's Up? Comparing ceiling paintings in Rome

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Jimmy Guardiola    In the month we spent in Rome, we saw countless amazing pieces of art. The oldest and most spectacular sculptures, the most intricate sarcophagi, the most colorful paintings, and the most breathtaking architectural achievements. All in all, however, the greatest things I saw consistently were the ceiling paintings. Whether fresco or canvas, it seemed that everyone one we saw was better than the last. It is impossible to register and memorize all the art contained in one single church. Most churches of ceiling works in the main naive, in each chapel, the cupola, the transepts, and the apse. Though I can spend hours talking about each, for this, I will focus on the ones located in the main naive. The very first thing you seem with great detail as you look up when entering a church. I'm going to be comparing my two favorite pieces. one actually is from a church, however, the second in located in a famous palazzo. The first is "The Triumph of the Name of Jesus...
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Spectacle, Patronage, and the Jesuits in Baroque Rome-Teresa Berner

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Here we are, the last blogpost of this four week series. The time I spent here in Rome was one the most educational experiences of my life.  Actually being in the presence of these works of art that I have learned about over the course of my life has been surreal. This week was no different. This week was all about the spectacle, patronage, and the Jesuits in Baroque Rome. The most evident spot of Jesuit patronage and spectacle that we went to this week was the church of S. Vitale. It is an ancient church that was renovated by the Jesuits during the Catholic Reformation. The Jesuits knew that they had to educate people about the reforms of the Catholic Church. They thought that by reminding the public about Catholic martyrs who showed the ultimate sign of faith by dying for their beliefs, people would be inspired to come back to the church. Along the walls of the nave are paintings of different martyrs. There are paintings of the martyrdom of St. Vitale in the apse of t...
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